![]() Translating his real-world studio, composition and touring experience into transferable knowledge, Franz has contributed to Electronic Musician, Keyboard Magazine, and DigiZine, Digidesign's online and print magazine. the Bear's in Boston, the Continental in NYC, and many more. Recording, producing, mixing, and mastering music in home and professional studios for more than fifteen years, Franz is also a studio musician and tours with his band, most recently in Ireland and on the east coast of the US, playing at such venues as Tower Records and Temple Bar Music Centre in Dublin, Roisin Dubh in Galway, T.T. Some of his most recent clients include Dave Weiner (touring guitarist with Berklee alum Steve Vai), Grey Star Morning, Andy Moore, and his own band-the bleedin bleedins. Working mainly from his own commercial studio, Underground Sun Studio in Boston, MA, Franz has worked with many musical artists from all over the globe in almost every genre of music. Over-ear studio headphones, such as Sennheiser HD 600, Sony MDR-7506, Philips SHP9500, Audio-Technica ATH-M50x, etc.Īfter enrolling, be sure to check out our Student Deals page for various offers on software, hardware, and more.Studio monitors (pair), such as JBL 305Ps or better, as well as necessary cables.One of the following studio monitoring options (both recommended):.Audio interface with at least 1 mic preamp (2 or more recommended).Full-featured DAW, such as Pro Tools (Studio or Ultimate), Logic Pro, Cubase Pro, Ableton Live (Suite or Standard), Reaper, Reason, or FL Studio (Producer or Signature). ![]() Recording and Producing in the Home Studio: A Complete Guide by David Franz (Berklee Press, 2004).This song must be in its very early stages Students are required to propose an original rough song idea by the end of the first week. Completion of Music Production Fundamentals or equivalent knowledge and experience is highly recommended. Students should be comfortable using a Digital Audio Workstation (DAW) of their own choice. Prerequisite Courses, Knowledge, and/or Skills Assignment: Your Recording…The Final Version.Mastering Techniques: Dither, Noise Shaping, and Other Mastering Effects.Lesson 10: Postproduction 4-Mixing (Part III) Assignment: Dynamic Processing in Your Mix.Lesson 9: Postproduction 3-Mixing (Part II) Lesson 8: Postproduction 2-Mixing (Part I) Advanced Editing Techniques-Tuning Vocals.Advanced Editing Techniques-Repairing Waveforms.Editing Techniques-Macro level: Comping.Editing Techniques-Macro level: Song Section Arrangement.Lesson 7: Postproduction 1-Editing Techniques Lesson 6: Production-MIDI Production Techniques The Producer's Job-Take Sheet for Vocal Recordings.The Producer's Job-Artist/Producer Interaction.Using Effects While Recording-Effects Loops and Inserts Together.Using Effects While Recording-Pre-Fader and Post-Fader Effects Loops.Using Effects While Recording-Effects Loops.Lesson 5: Production-Effects Loops and the Producer's Role in a Recording Session Recording Techniques: Horns - Brass Instruments.Recording Techniques: Horns - Woodwind Instruments.Recording Techniques: Percussion Instruments.Recording Techniques: Synthesizers and Turntables.Lesson 4: Production-Recording Techniques (Part II) Recording Techniques: Electric Bass Guitars.Engineering Techniques in Preproduction.Lesson 3: Preproduction 3-The Engineer's Role in Preproduction and Recording Techniques (Part I) Music That You Would Like to Influence Your Project.Defining an Artist's Identity, Purpose, and Image.Lesson 2: Preproduction 2-The Producer's Role in Preproduction Lesson 1: Preproduction 1-The Basics of Producing and Recording Interdisciplinary Music Studies (Create Your Own Major).Music Composition for Film, TV, and Games.Electronic Music Production and Sound Design.Music Theory, Harmony, and Ear Training.
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