Larry the Cable Guy, whose real name is Daniel Lawrence Whitney, remains alive and thriving, refuting any speculations or false rumors surrounding his death. Until then, the status of Larry the Cable Guy remains uncertain, and it is advisable to refrain from drawing conclusions based on unverified information.Īs a prominent figure in the entertainment industry, he is widely celebrated for his comedic talents as a stand-up comedian, actor, and radio personality. There is no definitive confirmation from reliable sources regarding Daniel Lawrence Whitney’s passing. Larry the Cable Guy, whose real name is Daniel Lawrence Whitney. Getting it done is easy: simply visit The Clearance Lab and choose the Title Report that best suits your needs.According to the website “Who’s Alive and Who’s Dead,” he is 60.Īcknowledging that the credibility of the information from “WikiObits” remains questionable, as the source has not been verified or corroborated by other reputable outlets. Whether you decide to change names, contact the existing trademark holder, or press forward, you’ll know exactly where you stand. With a Title Report in hand, you can make an intelligent, informed decision about the risks associated with your film’s name. A Title Report will involve a comprehensive review of existing trademarks (and even unregistered uses of the title). The best way to minimize your exposure to trademark lawsuits is to have a professional, legal review of your title. The takeaway for filmmakers is that your work is at risk for a trademark lawsuit regardless of the size of your production (or the size of the plaintiff’s operation). You might not be expecting a trademark lawsuit from a business coach in Seattle, however, but it happened to Oprah’s O magazine. It’s easy to imagine how naming your new film La-La-Landing would be inviting a lawsuit. In addition, trademark lawsuits can come from anyone, not just the big production companies or corporations-and not just from within the film industry. However, if Git-R-Done Productions felt like a single convenience store on the coast of Mississippi warrants a trademark lawsuit, no film-however small-is exempt from that risk. Too many small-budget and indie filmmakers mistakenly believe that the size of their production limits their exposure to lawsuits. but they are still entitled to trademark protection in the context of gasoline, cigarettes, and computers.” Size Is No Immunity from a Trademark Lawsuit The court held that “Shell, Camel, and Apple did not invent those words. That’s why, in 2015, they filed suit against the convenience store, not only for using the name Gitrdone, but claiming the store also displayed a rusted tow truck reminiscent of Larry the Cable Guy’s popular animated character Mater (from the Pixar film Cars).Īlthough the convenience store countered that Larry the Cable Guy didn’t invent the phrase, the courts denied that logic. If other businesses can make money off of the phrase without licensing, then the trademarks have no value. Git-R-Done Productions and TrademarksĪccording to Courthouse News, Git-R-Done Productions holds 23 trademarks around Larry the Cable Guy’s catchphrase, “Git ‘r done!” It uses those trademarks to license apparel and other products which feature the phrase.īoth the comedian and Git-R-Done Productions have a monetary interest in maintaining the integrity of those trademarks. Here’s how trademark lawsuits can affect filmmakers of all sizes and how you can take steps to minimize your risk. While this particular lawsuit is between a comedian and a convenience store, it demonstrates a risk too many filmmakers take on-especially small-budget, indie productions. Whatever else Woods may have accomplished with his convenience store, he certainly got it done in attracting a trademark lawsuit from Daniel Lawrence Whitney (better known as the comedian Larry the Cable Guy) and Git-R-Done Productions. According to the local Sun Herald, he chose a name for his store meant to inspire the hard work and perseverance he was serving: Gitrdone. When Thomas Woods opened a convenience store in Gulfport, Mississippi just after Hurricane Katrina, he wanted to help the community rebuild.
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